Letter No. 247. Thursday, December 13, 1711. Addison.
[Greek:--Ton d akamatos rheei audae Ek stomaton haedeia--Hes.]
We are told by some antient Authors, that Socrates was instructed in Eloquence by a Woman, whose Name, if I am not mistaken, was Aspasia. I have indeed very often looked upon that Art as the most proper for the Female Sex, and I think the Universities would do well to consider whether they should not fill the Rhetorick Chairs with She Professors.
It has been said in the Praise of some Men, that they could Talk whole Hours together upon any Thing; but it must be owned to the Honour of the other Sex, that there are many among them who can Talk whole Hours together upon Nothing. I have known a Woman branch out into a long Extempore Dissertation upon the Edging of a Petticoat, and chide her Servant for breaking a China Cup, in all the Figures of Rhetorick.
Were Women admitted to plead in Courts of Judicature, I am perswaded they would carry the Eloquence of the Bar to greater Heights than it has yet arrived at. If any one doubts this, let him but be present at those Debates which frequently arise among the Ladies [of the [1]] British Fishery.
The first Kind therefore of Female Orators which I shall take notice of, are those who are employed in stirring up the Passions, a Part of Rhetorick in which Socrates his Wife had perhaps made a greater Proficiency than his above-mentioned Teacher.
The second Kind of Female Orators are those who deal in Invectives, and who are commonly known by the Name of the Censorious. The Imagination and Elocution of this Set of Rhetoricians is wonderful. With what a Fluency of Invention, and Copiousness of Expression, will they enlarge upon every little Slip in the Behaviour of another? With how many different Circumstances, and with what Variety of Phrases, will they tell over the same Story? I have known an old Lady make an unhappy Marriage the Subject of a Months Conversation. She blamed the Bride in one Place; pitied her in another; laughed at her in a third; wondered at her in a fourth; was angry with her in a fifth; and in short, wore out a Pair of Coach-Horses in expressing her Concern for her. At length, after having quite exhausted the Subject on this Side, she made a Visit to the new-married Pair, praised the Wife for the prudent Choice she had made, told her the unreasonable Reflections which some malicious People had cast upon her, and desired that they might be better acquainted. The Censure and Approbation of this Kind of Women are therefore only to be consider'd as Helps to Discourse.
A third Kind of Female Orators may be comprehended under the Word Gossips. Mrs. Fiddle Faddle is perfectly accomplished in this Sort of Eloquence; she launches out into Descriptions of Christenings, runs Divisions upon an Headdress, knows every Dish of Meat that is served up in her Neighbourhood, and entertains her Company a whole Afternoon together with the Wit of her little Boy, before he is able to speak.
The Coquet may be looked upon as a fourth Kind of Female Orator. To give her self the larger Field for Discourse, she hates and loves in the same Breath, talks to her Lap-dog or Parrot, is uneasy in all kinds of Weather, and in every Part of the Room: She has false Quarrels and feigned Obligations to all the Men of her Acquaintance; sighs when she is not sad, and Laughs when she is not Merry. The Coquet is in particular a great Mistress of that Part of Oratory which is called Action, and indeed seems to speak for no other Purpose, but as it gives her an Opportunity of stirring a Limb, or varying a Feature, of glancing her Eyes, or playing with her Fan.